A
leader in the second wave of "pretty-girl" artists: more like pin-ups
without actually being pin-ups. Largely self-taught, learning his way up
in ad and art agencies. A pilot in WWI. Style ranged from simple,
posteresque lines and colors to his more famous pointillist pieces with
boldly directed light, a unique use of warm shadows, and sparkling
colors. Ads for Webster Cigars, Woodbury, Ford Mercury, Crane paper,
Yardley, The Italian Line. In-demand illustrator for Goldenbook
Magazine, Fortune, Redbook, Woman's Home Companion, Cosmo, True,
Esquire, Ladies' Home Journal,Saturday Evening Post, American Girl,
Libert
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